2020 / Spain / Writer=Dave Callaham / directors=Patty Jenkins

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Wonder woman 2 ( 3f 3f 3f 3f) paper. The sequel to the 2017 hit finds Diana Prince, a. k. a. Wonder Woman, pining for love and saddled with a movie unworthy of her. Video transcript transcript ‘Wonder Woman 1984’ | Anatomy of a Scene Patty Jenkins narrates a sequence from her film. ”I‘m Patty Jenkins. I am the director of Wonder Woman 1984. ” ”We need the police here right now! ” So this is a scene which we had so much fun doing. It is the first scene in the film that happens to take place in current day. The only thing we‘ve seen leading up to this is a flashback. And the first scene where we see Wonder Woman as an adult in our film. ”What are you doing? ” What was most important to me about this scene, was when I thought about what we were going to do with the second film, I realized we wanted to say something much more serious and kind of important than we did with the first film. So the immediate thing is, how do you do that and reach the audience that is most important to reach with that kind of message? Which is the youth audience. It‘s the heroes of tomorrow you‘re trying to inspire. So we immediately wanted to have a fun and engaging playful scene, which I‘m very excited to be with kids and watch them watch this scene. In addition, I was craving seeing Wonder Woman at the height of her powers and having a good time, saving the day with no stakes. It‘s something that I love in so many superhero films. ”We won‘t be doing that today. ” Where they‘re just on top of the world and you‘re watching them take care of everything. Another thing was, the ’80s of it all. Lynda Carter‘s Wonder Woman was such a huge moment for Wonder Woman and her history in the world, and huge to me, because that‘s what I grew up watching. So getting to play with that version of Wonder Woman, which was something we hadn‘t gotten to touch on yet in the first film, was something that I realized I wanted to do right up front, because our story would not allow for her to have much more of that, because I always end up engaged with the main character‘s point of view. So of course, she goes into struggles immediately and doesn‘t get to just let loose and have fun. So that was a great thing to get into ala the ’80s of it all, but also employing new technology. All of these things, including this shot right here of these human bodies slamming, and Wonder Woman jumping over the barrier and flying through the air. 100% real, not one digi double, not one special effect to make that happen. That was all wire work that we were able to design and engineer to get every single move there, because no one‘s ever tried to do something like this in a real location. And so that was an incredible challenge, great artisans and my amazing second unit director, Dan Bradley, my amazing stunt coordinator, Rob Inch. We just had incredible people working on this and making these magical things happen. And my cast here, of course, you know, made it a pure delight. [SIRENS] Patty Jenkins narrates a sequence from her film. Credit Credit... Clay Enos/Warner Bros. Entertainment Published Dec. 24, 2020 Updated Jan. 15, 2021 Wonder Woman 1984 Directed by Patty Jenkins Action, Adventure, Fantasy PG-13 2h 31m When Wonder Woman first hit the big screen in 2017, the possibilities for the character felt endless. After 76 years without a blockbuster to call her own — she muscled into comics, bracelets flashing, in 1941 — she had made it, becoming a box-office sensation. And, yay! The movies love sexpot vixens vamping in fetish wear (meow) and nice girls simpering in the wings, so it was relief that this Wonder Woman was neither. She was sovereign, powerful and lightly charming, and even when the movie had teasing fun with her it took the character, her mighty sword and cultural significance seriously. The first movie is set largely during World War I, which set a lofty bar for the scope and the import of future adventures. The sequel’s title, “Wonder Woman 1984, ” suggests that some juicy Orwellian intrigues are in the offing. Will Wonder Woman, a. Diana Prince (Gal Gadot), hijack a Soviet cruise missile, toss jelly beans at Ronald Reagan? As it turns out, the year mostly proves an excuse to pile on side ponytails, fanny packs and nostalgic nods to the kind of Hollywood blowouts that feature cartoonish violence and hard-bodied macho types. What is Wonder Woman doing in these campy, recycled digs? Who knows? Clearly not the filmmakers. Patty Jenkins is behind the camera again, but this time without the confidence. Certainly some of the problems can be pinned on the uninterestingly janky script, a mess of goofy jokes, storytelling clichés and dubious politics. (It was written by Jenkins, Geoff Johns and Dave Callaham. ) There’s a mystical artifact; an evildoer seeking world domination (bonus: he’s a bad dad); and one of those comic-book wallflowers who morphs into a sexy supervillain — you know, the usual. It’s a whole lot of unoriginality, but the used parts aren’t what sink “Wonder Woman 1984. ” Familiarity, after all, is one of the foundations (and pleasures) of cinematic genres and franchises. What matters is how awkwardly these elements — the heroes and villains, the jokes and action sequences — are put together. For starters, as is the case with many contemporary pictures, this one starts better than it finishes. (It plays like an elevator pitch, all setup without the delivery. ) It opens with a leisurely flashback to Diana’s princess childhood during some kind of Amazonian Olympics, with aerial gymnastics and tight, muscular thighs astride thundering horses. This gambol down memory lane may have been necessary for viewers who didn’t see the first movie. But in the context of the rest of this movie, it vibes like a one-hit band opening with its sole claim to fame. Image Credit... Eventually, the movie gets down to its 1984 business, and the pace drifts into lethargy. The story packs in a lot of stuff and characters but without purpose or urgency. (It could have used more of the distinctive electric cello that helped juice the first movie’s action, giving it a signature hook. ) Kristen Wiig has some fun as the wallflower, but Pedro Pascal is badly misused as the villain du jour. Wonder Woman’s great love, Steve (Chris Pine), inexplicably materializes too, kind of like Patrick Swayze in “Ghost, ” though the details remain fuzzy. Pine gives the movie heart (and oomph), as well as emotional expressivity, which is necessary given Gadot’s narrow range. In her debut super-outing, Gadot was the wobbly axis in a movie that ran smoothly sometimes despite her. She was convincing and also charming because the character was too, as well as fierce and unworldly. That Diana was also a hawk, which comes with the mythological territory, though the story gave her a justification in the form of an adversary, Ares the god of war. We must stop him, she told the ruler of the Amazons, a. Mom. It “is our foreordinance, ” Diana insisted, embracing the interventionist faith that has long defined American cinema. But by the time she’s powering through the Middle East in the sequel, that ideological creed just looks like an assertion of power. Although there’s no official war in “1984, ” Jenkins et al. need to stir up trouble, an obligation that results in scenes that feel like busywork. The movie oscillates between hand-to-hand (and hand-to-paw) combat and large-scale choreographed mayhem with flying bodies, trucks and whatnot whirling in a shopping center and elsewhere. During one fight, Wonder Woman pauses to voice some anti-gun rhetoric, a disingenuous declaration given all the guns and ammo in the two movies. As before, in the best moments Jenkins brings the camera low so you can admire how Wonder Woman slides and sweeps across the ground, her long legs mowing down the opposition. In the end, this movie never makes the case for why Wonder Woman is back in action beyond the obvious commercial imperatives. It’s a given that franchises are produced to make bank, etc., but the best chapters have life, personality, a reason for being and for fighting. They expand on their characters’ mythologies, using the past to explore the present. Three years ago, Wonder Woman emerged amid a reckoning on male abuse and power; the timing was coincidental, but it also made the character feel meaningful. In 2017, when Wonder Woman was done saving the world, her horizons seemed limitless. I didn’t expect that her next big adult battle would be at the mall. Wonder Woman 1984 Rated PG-13 for comic-book violence. Running time: 2 hours 31 minutes. Watch on HBO Max.

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Wonder Woman 2 3. Wonder woman 2017. Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use & Sale Privacy Notice © 1996-2015,, Inc. or its affiliates. Wonder woman 2 ( 3f 3f 3f 3f) reaction. Critics Consensus No consensus yet. Tomatometer Not Yet Available TOMATOMETER Total Count: N/A Coming soon Release date: Oct 2, 2020 Audience Score User Ratings: Not yet available Wonder Woman 1984 Ratings & Reviews Explanation Wonder Woman 1984 Videos Photos Movie Info Fast forward to the 1980s as Wonder Woman's next big screen adventure finds her facing an all-new foe: The Cheetah. Principal photography is underway on Warner Bros. Pictures' follow up to the Super Hero's first outing, last summer's record-breaking "Wonder Woman, " which took in $822 million at the worldwide box office. "Wonder Woman 1984" will also be helmed by acclaimed director Patty Jenkins, and star Gal Gadot in the title role. Rating: PG-13 (for sequences of action and violence) Genre: Action & Adventure, Science Fiction & Fantasy Directed By: Written By: In Theaters: Oct 2, 2020 wide Studio: Warner Bros. Pictures Cast News & Interviews for Wonder Woman 1984 Critic Reviews for Wonder Woman 1984 There are no critic reviews yet for Wonder Woman 1984. Keep checking Rotten Tomatoes for updates! Audience Reviews for Wonder Woman 1984 There are no featured reviews for Wonder Woman 1984 because the movie has not released yet (Oct 2, 2020). See Movies in Theaters Wonder Woman 1984 Quotes Movie & TV guides.

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